The literature of China Mieville has become recognizable to many fantasy fans as the icon of the strange, often dark, wave of avant-garde fiction popularly branded “New Weird” or “Slipstream.” Historically, the broad term (weird fiction) is most often associated with H. P. Lovecraft, and if you’re familiar with his work, you might get an idea of how this category of fiction deserved these names. If you’re not, well, you’re probably a much saner person for it.
Seeing as how sanity doesn’t alway describe me, I was enthralled by the last Mieville book I read: The Scar. It’s a curious blend of Slipstream fiction (Slipstream usually combines elements of fantasy, science fiction, and horror) and Steampunk era speculative fiction that, like its companion novel, Perdido Street Station, refuses to be pigeon-holed into a specific category. With Perdido, I felt like the novel got under my skin with a greater use of horror than anything else, but The Scar is a more balanced piece. Continue reading