The Scar: New Weird

ScarThe literature of China Mieville has become recognizable to many fantasy fans as the icon of the strange, often dark, wave of avant-garde fiction popularly branded “New Weird” or “Slipstream.” Historically, the broad term (weird fiction) is most often associated with H. P. Lovecraft, and if you’re familiar with his work, you might get an idea of how this category of fiction deserved these names. If you’re not, well, you’re probably a much saner person for it.

Seeing as how sanity doesn’t alway describe me, I was enthralled by the last Mieville book I read: The Scar. It’s a curious blend of Slipstream fiction (Slipstream usually combines elements of fantasy, science fiction, and horror) and Steampunk era speculative fiction that, like its companion novel, Perdido Street Station, refuses to be pigeon-holed into a specific category. With Perdido, I felt like the novel got under my skin with a greater use of horror than anything else, but The Scar is a more balanced piece. Continue reading

Let Your ‘May’ Mean ‘Might’

This is just an attention-grabber. It has nothing to do with the post.

This is just an attention-grabber. It has nothing to do with the post.

I was reminded of a subtle grammar rule today, and it inadvertently sparked a whole line of strange thoughts. It’s a rule I often forget, and I hope that by writing this I will be able to internalize it. But, also, I had a thought about application that I wanted to share for the fun of it.

The difference between Might and May:

We use ‘may’ to say that something is possible, in fact, that it’s more possible than a circumstance in which ‘might’ is the correct term. Small difference. Continue reading